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The aim of this course is to instill in students both respect for the creation and reverence for the Creator while learning the methods and techniques of portraiture and figure drawing. Students will learn to create impactful portraiture in a variety of methods and mediums. Students will begin by learning foundational anatomy, such as the skeletal and musculature systems, in order to ground their skills in accuracy. While exploring figurative work, students will learn how to create expressive and dynamic forms through gestural mark-making.
In this course, we will approach drawing our fellow men with a sense of wonder for God’s creation and a recognition that all persons are made in the image of God and are fearfully and wonderfully made. We will be continually informed in our studio practice by the Scriptures as well as texts such as The Weight of Glory by C.S. Lewis. While learning to appreciate and render the human form, we will continually discuss what it means to be made in the image of God and acknowledge that we are more than simply the bodies that we possess—we have eternal souls.
Through demonstrations, personal instruction, and exercises, students will explore different subjects/compositions, textures, papers, and application techniques suitable for each unique medium. Students will be encouraged to practice exercises taught in class and may need to work outside of class to complete projects. Along with hands-on studio work, students will participate in regular class critiques, creating a forum for the group to constructively collaborate and discuss creative outcomes. Individual artist statements will be required with most finished pieces of work, giving students another opportunity to articulate their interpretive intent and their understanding of process and design concepts.
Students can also expect ongoing dialogues about the rich history of classical portraiture and figure drawing, contemporary portraiture, Christian imagination in relationship to faith and the arts, and the role of the arts in the Church. This course is supplemented by daily readings and reflections on art and faith by authors such as C.S. Lewis, Francis Shaffer, Pope John Paul II, and Makoto Fujimura, which will be provided by the instructor. The hope of the instructor is that, through engagement in the class, students will be brought to a deeper appreciation of the visual world and the creative love of its Maker.
Required Materials: Books and supplies are not included in the purchase of the course. These resources are listed to help inform your decision-making as you make course selections and build your course schedule. Please reach out to the instructor if you have any questions about materials.
Sara Silkwood is an illustrator, designer, and educator with a BFA in Illustration from Syracuse University. She has taught in a variety of settings, including classical schools across Texas, where she has developed a classical curriculum grounded in the conviction that drawing is a skill anyone can learn.
To Sara, drawing is form of visual literacy - helping students organize information, gain empathy, and develop cognitive flexibility. She believes the act of drawing builds both artistic and emotional insight, regardless of age or experience level.
In her own illustration work, Sara draws on traditional media - especially pencil and watercolor - for their balance of structure and spontaneity. Her current project is a series of illustrations from George MacDonald’s The Princess and the Goblin, a story whose themes of courage, trust, and unseen goodness deeply resonate with her.
Sara's goal is to offer hope through her illustrations, using design, composition, and light to evoke beauty in suffering and remind viewers that all things ultimately work together for good.
First, read the available course descriptions, noting prerequisites, target grades, and course objectives. If you think your student is prepared for the course, go ahead and register. After registration, a placement assessment may be provided to students, depending on the course and the student’s previous enrollment with Scholé Academy. Registration is finalized when the student’s placement assessment has been returned by the course instructor with placement confirmation.
Make sure they don’t conflict with other activities in your schedule or other courses you are purchasing. Our system will not catch double-bookings!
Our Assistant to the Principal will be in touch with you after your enrollment to help you with next steps, including any placement evaluations that may be required for your course selections.
This registration will be finalized when the student’s placement assessment has been returned by the course instructor with placement confirmation.